Modernism – PETER JUNG FINE ART

Modernism

Gerald Coarding (1911-1986) American

Medium: Oil on canvas
Image Size: 54” x 34”
Signature: Signed lower left
Price: $24000

Biography/Statement

Gerald Coarding (1911 – 1986) was active/lived in New York, Illinois, Indiana, New Jersey. Gerald Coarding is known for Abstract painting.

According to the Cook County Chicago census of 1920 and 1930, Gerald D. Coarding was born on June 5, 1911 in Fort Wayne, Indiana.

He fought in World War II in Europe and lived afterwards some years in Paris. There he made several important works of art.” (www.klasema-art.com). Coarding studied with Hans Hoffman in New York and with Fernand Leger in Paris, and he attended the Academy of Fine Arts in Naples. His work was also exhibited at the Museum of Modern Art in Paris.

In 1955, his address was 11 Bleeker Street, in New York City, according to a label found one the back of his painting, The Minotaur.

David Rockefeller purchased one or two of the panels of a triptych painting by Coarding, The Plainsman, (1956.)

Artist Profile Page: Coarding, Gerald / Categories: Modernism

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Modernism

Harry Bartnick (1950-) Contemporary, American

Medium: Oil on canvas
Image Size: 42” x 59”
Signature: Signed lower right
Price: SOLD

Biography/Statement

Harry Bartnick (b.1950) is an American painter, photographer and sculptor. His earlier work took the form of large realist paintings (oil on canvas) of landscapes and the built environment. These were quiet, contemplative images of clearly contemporary and familiar surroundings, with all elements carefully composed both on the canvas surface and in pictorial space. Bartnick has received numerous grants including a Guggenheim Grant and a New England Foundation of the Arts Grant. His work has been featured in the New York Times, The Boston Globe, Art News, Art New England, and more. He is Professor Emeritus at Suffolk University, where he taught painting and courses in color perception and application.

Artist Profile Page: Bartnick, Harry / Categories: Modernism

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Ryan Schroeder (N/A) Contemporary, American

"Life Eternal" - A chapel in Troy, NY

Medium: Oil on Board
Image Size: 12” x 12”
Frame Size: 16” x 16”
Price: $2800

Biography/Statement

Artist Statement: My work is about engaging reality, including its abject elements. Responding to the impressions made during my encounter with such a place I seek to engage and examine not only its physical characteristics but my subjective response to witnessing them. I am interested in the idea of subtraction; the removal of material things from a place, or the removal of individuals from their dwellings. Using dilapidated interiors as a tableau, I seek to challenge the parameters of taste. In these works, I consider where abstraction and representation meet. I think of these disheveled domestic spaces psychological echo chambers. These paintings are relics whose surfaces have been distressed in a manner that parallels the nature of the external object to which they are referring.

Grants, Lectures, Publications, Honors, and Residencies

2017-2018

Artist Talk at McLanahan Gallery. Penn State. Altoona, PA
NYSCA/NYFA Artist As Entrepreneur Program at The ARTS Council of the Southern Finger Lakes/ Corning Museum of Glass
Museum Insel Hombroich: Guest Artist. Stiftung Insel Hombroich. Neuss, Germany (January-March)
Fulbright Commission International Leadership Conference. Ludwig-Maxmilians-Universität. Munich, Germany
MICA Profile: Interview with Yam Chew
Fulbright Artist Grant. Düsseldorf, Germany
Guttenberg Arts: Fellowship. Space and Time Artist Residency (STAR). Guttenberg, NJ

2016

Museum Insel Hombroich: Guest Artist. Stiftung Insel Hombroich. Neuss, Germany (August-October)
Woven Tale Press: Spotlight Vol. IV #10. Relics That Reflect Reality. Interview with Emily Jaeger, Published December 12, 2016
Or Does It Explode Magazine. Ryan Schroeder: A Conversation About Decay, Neglect, and What It Means to Be Forgotten. Interview with Tasha Mathew. Published June 4, 2016.

2015

Elizabeth Greenshields Grant
BMoreArt Feature Story: Silent Interiors. Review of Things Forgotten, written by Matt Klos.

2014

Shanghai University: Resident Artist. Shanghai, China
Conducted lecture on Edwin Dickinson. New York Academy of Art. NY

2013

Contemporary Art Center, Artist Residency. Troy, NY
Curated exhibition, A Hint of Mint. Troy, NY.
Paintings published in Jet Fuel Review, Lewis University’s online literary journal, 2012 2012
Vermont Studio Center: Artist Residency. Johnson, VT

Exhibitions

2018

Solo: Changed Places. Ivyside Juried Exhibition. McLanahan Gallery. Penn State. Altoona, PA
Solo: Residue of a Lived Experience. Doris Ulmann Galleries. Berea College. Berea, KY
The Nartcan Exhibit. (Traveling Exhibition). University of Rochester, SUNY Geneseo, University at Buffalo
Mandarin Oriental: Real Men. Juried by Brooke Shields and David Kratz
Massephase. SPRINK, Düsseldorf, Germany
Gleich Frucht Böden Voll Epischter Saat. Haus der Kunst Enniger. Münster, Germany

2017

Guttenberg Arts Foundation STAR Fellowship Exhibition. Guttenberg, NJ
Unnoticed: Recent Works by Ryan Schroeder and Jeff Feld. Curated by Alma Egger. Fresh Window Gallery, Brooklyn, NY
Behind Narrative+Emerging Artists: Jennifer Young, Nick Gebhart, Thurston
Belmer, Bruno Perillo, Marshall Jones and Ryan M Schroeder. Curated by Diego Ponce. One Art Space & Daniel Giella, New York, NY
Tell Yourselves Why You Were There New Work by Ryan Schroeder and Mila Rochenner. 326 Gallery, New York, NY
Emerging Artists. Art Mora, Curated by JeongHyun Park, and Sunny Shin. New York, NY

2016

Debitfair (Digital Exhibition; part of Whitney Biennial). Whitney Museum, New York, NY
Tenth Annual Summer Exhibition. Flowers Gallery, New York, NY
Two. ARTROOM, Fort Worth, TX
75th Regional Art Exhibition. Arnot Art Museum, Elmira, NY
Art for Haiti. Saint Rock Haiti Foundation Fundraiser. ArtHelix Gallery, Brooklyn, NY

2015

Things Forgotten: Paintings by Ryan Schroeder and Andy Karnes. Galerie Françoise, Baltimore, MD
9th Annual Summer Exhibition. Curated by Leslie Dill, Matthew Flowers, and Martha Schwendener. Flowers Gallery, New York, NY

2014

Forgotten Places, Richard Harrington, Matt Klos, and Ryan Schroeder. Oxford Gallery, Rochester, NY
Mutual Interest No.3. Ryan Schroeder, Dana Kotler, Tamalin Baumgarten and Arc Niles. Fine Arts College of Shanghai University. Shanghai, China
Artist-in-Residence, China, 105 & 111 Galleries, New York Academy of Art. New York, NY

Artist Profile Page: Schroeder, Ryan / Categories: Illustration, Impressionism, Modernism, Regionalist (Urban)

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George Milo (1909-1984) American

Medium: Oil on Board
Image Size: 42” x 30”
Frame Size: 50” x 38”
Signature: Signed Lower Right
Price: $6500

Biography/Statement

George Milo Vescia b. 19 Dec 1909 New York, d. 19 Aug 1984 Los Angeles.

Known professionally as George Milo, he was a painter, set designer, set decorator, and art director whose extensive television and film credits span the decades from the 1940s through the 1970s, and include a long and illustrious association with director Alfred Hitchcock.

Milo worked on Hitchcock’s most acclaimed films, serving as the set decorator for The Birds (1963), Psycho (1960), Marnie (1964), and set designer for Torn Curtain (1966).

He was nominated for three Academy Awards in the category of Best Art Direction for his work on the films Psycho (1960), Judgement at Nuremberg (1961), and That Touch of Mink (1962).

Biography from Kelley Gallery – Pasadena

Artist Profile Page: Milo, George / Categories: Mod-Realist, Modernism, Regionalist (Urban)

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Eda Sterchi (1885-1969) American

Medium: Oil on Canvas
Image Size: 30” x 40”
Frame Size: 40” x 50”
Signature: Signed lower left
Price: SOLD

Biography/Statement

Born in Olney, Illinois, Eda Sterchi was a landscape and genre painter who worked in the Midwest, Southwest, Europe, and Tunisia. She was a highly independent woman who was the first among her peers to cut her hair in a bob, the first to get divorced, and the first to smoke cigarettes. Her painting was influenced by European modernism, and many of them had large, abstract fields of color.

She studied at the Art Institute of Chicago and with Lucien Simon in Paris. Her work met with early success, and in 1913 she began exhibiting at the American Artists Club and the International Artists Union in Paris. In the United States, she exhibited at the Chicago Art Institute from 1915 to 1920 and had a one-woman show there in 1929.

In Tunisia, she attended the Institute de Carthage and there she received official recognition from that government for the quality of her art work. She divided her time between that country and Chicago.

In 1910, Sterchi first visited Taos, New Mexico, and from then exhibited paintings of New Mexico, especially at the Art Institute of Chicago. In 1938 and 1939, and from 1940 to 1962, she lived and painted in Phoenix, Arizona during the winters. She was a member of the Institute de Carthage, Chicago Art Club and Chicago Society of Artists

Artist Profile Page: Sterchi, Eda / Categories: Figurative, Modernism, Portrait

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