William Guy Wall (1792-1864)
Catskill Mountain House (1826)
Medium: Oil on canvas
Image Size: 26” x 36”
Frame Size: 36” x 46”
Signature: Unsigned
Price: $300000
Biography/Statement
William Guy Wall (1792–1864) was an American painter of Irish birth.
Wall was born in Dublin in 1792 and arrived in New York in 1812. He was already a well trained artist and soon became well known for his sensitive watercolor views of the Hudson River Valley and surroundings. Some of these watercolors were published as engravings by John Hill and his son John William Hill in the Hudson River Portfolio (New York, 1821–1825), one of the first publications to make Americans aware of the beauty of their own country. Wall’s landscapes (and a few seascapes) were straightforward representations of America’s awe-inspiring vistas—neither romanticized nor idealized. He is classified as either a forerunner or an early member of the Hudson River School. Wall was a founding member of the National Academy of Design (New York) and exhibited frequently at such institutions as the Pennsylvania Academy of the Fine Arts (Philadelphia) and the Apollo Association (New York). He lived in America from 1812 to 1835 and again from 1856 to 1860. He returned to Ireland in 1860 and died in Dublin in 1864. William Guy Wall’s son, William Archibald Wall (1828 – 1878), was also a landscape painter.
The Amon Carter Museum (Fort Worth, Texas), the Honolulu Museum of Art, the Hudson River Museum (Yonkers, New York), the Metropolitan Museum of Art and the New-York Historical Society are among the public collections having paintings by William Guy Wall.
Source: Wikipedia
Artist Profile Page: Wall, William Guy / Categories: Hudson River School
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Roswell Morse Shurtleff (1838-1915) American
Late Evening in the Adirondacks
Medium: Oil on board
Image Size: 14” x 11”
Frame Size: 18” x 15”
Signature: Initialed R.S.M. in the lower center
Price: SOLD
Biography/Statement
Roswell Morse Shurtleff was born in 1838 in Rindge, New Hampshire, along the state’s border with Massachusetts, and briefly worked for a lithographer in Buffalo, New York, before moving to Boston in 1859 to pursue his education in the fine arts. He found a day job as an engraver while taking evening classes at the Lowell Institute, and one year later enrolled at the National Academy of Design in New York. During this time he made ends meet doing illustrations for magazines and newspapers, and when the Civil War broke out Shurtleff enlisted early, joining the 99th New York Volunteers. He was quickly promoted to Lieutenant before being wounded and captured during a scouting mission in July of 1861, and spent the next eight months confined to southern hospitals and prisons. Upon his release, Shurtleff visited his mother in Winchendon, Connecticut, where he would meet his future wife Clara Halliday, and was eventually sent back to New York to take charge of the state’s paroled captives, a position he held until just before the end of the war. He returned to his illustration work, married Clara in 1867 and moved to Hartford two years later. Around this time, the couple began spending summers in Keene Valley, in the Adirondacks, and it is here that Shurtleff took up oil painting in earnest, finding inspiration among the region’s dense forests and unspoiled wilderness.
In 1875, the Shurtleffs relocated from Hartford to New York City, where the artist could stay more closely involved with the art circles of the day. Thereafter they continued to divide their time between the city and Keene Valley, spending the summer and autumn months at the latter and eventually building a home, christened Shirecliffe, which the artist designed. Although he was not the first artist to discover the beauty of Keene Valley, Shurtleff’s name became synonymous with the region owing to his longtime residency and over the years he befriended many of his fellow painters, including Winslow Homer, who began visiting the Adirondacks in 1870.
The landscapes resulting from Shurtleff’s sojourns in the Adirondacks garnered praise from critics and collectors alike when shown at the Brooklyn Art Association, the Boston Art Club, the Pennsylvania Academy of the Fine Arts, and the National Academy of Design, which made Shurtleff an Associate in 1880 and a full Academician ten years later. He was also a member of the American Watercolor Society and the Salmagundi Club, as well as the Lotos Club, which hosted a memorial exhibition of Shurtleff’s work in January of 1916, one year after his unexpected passing.
Today, Shurtleff’s transcriptions of the forests and glades of upstate New York that charmed him for decades can be found in several museum collections, including the National Gallery of Art, in Washington, DC, the Smith College Museum of Art, in Northampton, Massachusetts, the Worcester Art Museum, and the Adirondack Experience: The Museum on Blue Mountain Lake in New York.
Source:
Peter Hastings Falk, Editor, Who Was Who in American Art
Peggy and Harold Samuels, Artists of the American West
Artist Profile Page: Shurtleff, Roswell Morse / Categories: Hudson River School
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Sean Witucki (N/A) Contemporary, American
Medium: Oil on Board
Image Size: 8” x 10”
Frame Size: 14” x 16”
Signature: Signed lower right
Price: $2200
Biography/Statement
Sean M. Witucki (b. 1977) obtained his BS and MS in Visual Art Education from the State University of NY at Buffalo State. Sean is primarily a self-taught artist, who is always focused on developing his skills in the techniques of the traditional masters. He has been a drawing and painting instructor at the Buffalo Academy for Visual and Performing Arts since 2002.
Sean reveals a personal and contemporary expression of landscapes and still lives which pay homage to his formative years. He spent much of his boyhood roaming the fields and woods on the edge of the Berkshire Mountains in Monson, Massachusetts. This is where his understanding of the natural world took its roots. This influence plays a major role in the subjects of Sean’s works.
In 2016 Sean had the honor of becoming a Hudson River Fellow with the Grand Central Atelier. This experience has greatly influenced his work.
Artist Profile Page: Witucki, Sean / Categories: Hudson River School, Landscape, Luminist
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Thomas DeDecker (1951-) Contemporary, American
(Lily Pond)
Medium: Oil on Canvas
Image Size: 30” x 40”
Frame Size: 38” x 48”
Signature: Signed lower right
Price: SOLD
Biography/Statement
Thomas DeDecker was born in 1951, in Appleton, Wisconsin and has lived in Redmond, Washington since 1975.
Before attending college, he was primarily interested in archaeology and anthropology, but was inspired by a student art show at Brigham Young University where he was enrolled. After college, he traveled throughout the West and then settled in Washington State because of his interest in the Plains tribes.
He paints western landscapes, and landscapes in the Hudson River style. He also paints scenes of Native American life and customs.
Artist Profile Page: DeDecker, Thomas / Categories: Hudson River School, Landscape
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James Wethered Bell (N/A) American
Medium: Oil on Canvas
Image Size: 30” x 50”
Signature: Signed and dated Lower Left 1882
Price: $12000
Biography/Statement
Artist Profile Page: Bell, James Wethered / Categories: Hudson River School, Landscape
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Lauren Sansaricq (1990-) Contemporary, American
Medium: Oil on Board
Image Size: 12” x 16”
Frame Size: 18” x 22”
Signature: Signed lower right
Price: SOLD
Biography/Statement
Lauren Sansaricq (b. 1990) grew up in Columbia County, New York, where from an early age she was exposed to both the beauties of the Hudson Valley and, under the teaching of Thomas Locker, to the traditional painting techniques of the Hudson River School.
Taking Mr. Locker’s advice Miss Sansaricq received academic training in drawing and painting at the Grand Central Academy of Art in NYC. In 2011, at just 21 years old, she was taken under the representation of Hawthorne Fine Art, a prestigious New York gallery specializing in 19th century Hudson River School Painting. Lauren was also honored with a solo show in New York at Hawthorne Fine Art that same year.
Her work has been exhibited in Manhattan at historic venues like the Salmagundi Club, the National Arts Club and the Union League Club. In 2012 she had a solo show at Saint Anselm College, and was also featured at the Boston International Fine Arts Show.
One of Lauren’s paintings was also featured in The New York Times, surrounding the show she was apart of, “The Great Hudson River Exhibition”, in upstate NY. Today her work is in collections throughout the country, and is displayed beside some of the best American painters of the past.
She teaches every summer on the Hudson River Fellowship, and now resides in the White Mountains of New Hampshire.
Artist Profile Page: Sansaricq, Lauren / Categories: Hudson River School, Landscape, Marine / Seascape
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Lauren Sansaricq (1990-) Contemporary, American
Landscape
Medium: Oil on Panel
Image Size: 24” x 36”
Frame Size: 34” x 46”
Signature: Signed lower right
Price: SOLD
Biography/Statement
Lauren Sansaricq (b. 1990) grew up in Columbia County, New York, where from an early age she was exposed to both the beauties of the Hudson Valley and, under the teaching of Thomas Locker, to the traditional painting techniques of the Hudson River School.
Taking Mr. Locker’s advice Miss Sansaricq received academic training in drawing and painting at the Grand Central Academy of Art in NYC. In 2011, at just 21 years old, she was taken under the representation of Hawthorne Fine Art, a prestigious New York gallery specializing in 19th century Hudson River School Painting. Lauren was also honored with a solo show in New York at Hawthorne Fine Art that same year.
Her work has been exhibited in Manhattan at historic venues like the Salmagundi Club, the National Arts Club and the Union League Club. In 2012 she had a solo show at Saint Anselm College, and was also featured at the Boston International Fine Arts Show.
One of Lauren’s paintings was also featured in The New York Times, surrounding the show she was apart of, “The Great Hudson River Exhibition”, in upstate NY. Today her work is in collections throughout the country, and is displayed beside some of the best American painters of the past.
She teaches every summer on the Hudson River Fellowship, and now resides in the White Mountains of New Hampshire.
Artist Profile Page: Sansaricq, Lauren / Categories: Hudson River School, Landscape
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James Crawford Thom (1835-1898) American
Medium: Oil on Canvas
Image Size: 22” x 36”
Frame Size: 32” x 46”
Signature: Signed lower right
Price: SOLD
Biography/Statement
Hudson River School style landscapist and genre painter James Crawford Thom was born in New York City in 1835, though he grew up on a farm just north of the City in Ramapo, New York. He studied at the National Academy of Design in New York City as an eighteen-year-old before going to Paris, where he studied with Camille Corot, Thomas Couture and Henri Picou. He also studied with Pierre Edouard Frere whose paintings of children and peasants in the countryside seem to have influenced Thom, known for his pictures of children out-of-doors.
A seven-year interlude in London, 1866-1873, led to exhibitions and increasing awareness of his work there, and in the latter year to exhibitions in America that encouraged the artist and his family to return to New York City. They later moved to Atlantic Highlands, New Jersey, where the artist died of pneumonia in 1898.
In 1983, nearly one-hundred years after his death, an exhibition of James Crawford Thom’s work was held in East Brunswick, New Jersey. His paintings may be seen in the National Museum of American Art, Smithsonian Institution in Washington, D.C.
Source: David Michael Zellman, Three Hundred Years of American Art
Artist Profile Page: Thom, James Crawford / Categories: Hudson River School, Landscape
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Patrick McPhee (N/A) Contemporary, American
Medium: Oil on Canvas
Image Size: 36” x 48”
Frame Size: 44” x 56”
Signature: Signed
Price: SOLD
Biography/Statement
Artist statement:
“My mother first introduced me to the wonderful, messy world of smearing oil pastels at the age of six. Something about trying to capture a memory on paper while avoiding school work just stuck with me and with encouragement from my family, I began exploring other mediums. Throughout my school years, I tested a wide variety of subjects, but my love forthe outdoors and fishing ultimately led me to depicting scenes of nature in my work. My education continued at the Art Institute of Pittsburgh, where I was fortunate to have many talented mentors helping me to develop as an artist. I have since applied these lessons in my pursuit of nature’s truth.
For years I have admired the Hudson River School of landscape painters. Their reverence for nature and warning of man’s impact on the environment have never been more relevant than now.
In the setting of our current environmental peril, it is my hope that my art can call some attention to the purity of an untouched land, and perhaps encourage others to help protect it from future harm.”
Artist Profile Page: McPhee, Patrick / Categories: Hudson River School, Landscape
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William Walton (1843-1915) American
View eastward toward the Taghkanic Range
Medium: Oil on Canvas
Image Size: 30” x 50”
Frame Size: 38” x 58”
Signature: Signed lower right
Price: $12500
Biography/Statement
William Walton painted landscapes in the Mid-Hudson valley in the late 19th century.
Artist Profile Page: Walton, William / Categories: Hudson River School, Landscape
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