Hudson River School, Landscape

William Walton (1843-1915) American

View eastward toward the Taghkanic Range

Medium: Oil on Canvas
Image Size: 30” x 50”
Frame Size: 38” x 58”
Signature: Signed lower right
Price: $12500

Biography/Statement

William Walton painted landscapes in the Mid-Hudson valley in the late 19th century.

Artist Profile Page: Walton, William / Categories: Hudson River School, Landscape

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Landscape

Dubois Fenelon Hasbrouck (N/A) American

Medium: Sepia watercolor on paper
Image Size: 8” x 15”
Frame Size: 14” x 21”
Signature: Signed and dated 1889 lower right
Price: $3200

Biography/Statement

A landscape painter who worked in both oil and watercolor, Dubois Fenelon Hasbrouck was from Stamford, New York. He exhibited at the Brooklyn Academy of Art, New York, 1884-86; National Academy of Design, New York City 1885-94; Boston Art Club, Massachusetts, 1886-93; and the Art Institute of Chicago, Illinois, 1888-89.

Artist Profile Page: Hasbrouck, Dubois Fenelon / Categories: Landscape

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Landscape

Jose Roig (1898-1968) European

Cordoba, Spain

Medium: Oil on Canvas
Image Size: 38” x 46”
Signature: Signed lower right, inscribed "Cordoba, Spain" verso
Price: SOLD

Biography/Statement

N/A

Artist Profile Page: Roig, Jose / Categories: Landscape

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Landscape

Ambrose Andrews (1805-1859) American

Medium: Oil on Cavas
Image Size: 22” x 36”
Signature: Signe lower center
Price: SOLD

Biography/Statement

An itinerant portrait, miniature, and landscape painter, Ambrose Andrews had a wide-ranging career geographically that saw him in many regions including New York (1829-31), Connecticut (1837), Texas (1837-1841) and Louisiana (1841-42). After 1844, he was active in St. Louis, New York City, Buffalo, New York, Vermont and Canada. He was born in West Stockbridge, Massachusetts, and in 1824, attended the National Academy of Design.

Andrews exhibited paintings at the Republic of Texas Capitol in 1837; the Pennsylvania Academy of the Fine Arts, 1848; the National Academy of Design and the American Art Union in 1849; and the Royal Academy of Art in London in 1859. His portrait subjects include Henry Clay and Sam Houston. His work is in the collection of the New York Historical Society.

Artist Profile Page: Andrews, Ambrose / Categories: Landscape

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Landscape

Carl Wuermer (1900-1981) American

Painted near Woodstock, New York. Dated 1928

Medium: Oil on Canvas
Image Size: 40” x 40”
Signature: Signed lower right, dated 1928 verso
Price: SOLD

Biography/Statement

Known for serene, realistic landscapes, he was a widely exhibited painter who won numerous awards including the J. Francis Murphy Memorial Prize from the National Academy of Design in 1928. Many of his paintings convey a sense of panorama and lead the eye into deep vistas. For much of his career Wuermer painted near Woodstock, NY.

Wuermer was born in Munich, Germany, and in 1915, emigrated to Chicago where from 1920 to 1924, he studied at the Art Institute with Wellington Reynolds. He then went to New York City for study at the Art Students League. In 1929, he was accepted for artist membership by the Grand Central Art Galleries in New York City. His technique was similar to that of the Pointillists although the final effect was much more exact and realistic. He slowly built up the paint on his canvas by using dots of color.

Artist Profile Page: Wuermer, Carl / Categories: Landscape

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Landscape

Jessie Arms Botke (1883-1971) American

Medium: Oil on Board
Image Size: 17” x 17”
Signature: Signed and Dated 1917 lower right
Price: SOLD

Biography/Statement

Painter, illustrator, printmaker and muralist, Jesse Arms was born in Chicago, IL on May 27, 1883. She began her studies at the Art Institute of Chicago, and continued with J. C. Johansen and Charles Woodbury. In 1911 she obtained employment with Herter Looms in NYC and assisted Herter with the mural in the St Francis Hotel in San Francisco. Upon returning to Chicago in 1915, she married Cornelis Botke.

The Botkes moved to Carmel CA in 1919. After an extended trip to Europe, in 1927 they settled on a ranch in Santa Paula, CA where she remained until her death on Oct. 2, 1971. She made a career of bold, decorative paintings of birds both in oil and watercolor, and often used gold leaf in her paintings.

From about 1917 her work won many awards both in Chicago and Southern California. Member: Calif. Art Club; Calif. WC Society; Nat’l Ass’n of Women Artists; Carmen AA; Chicago Society of Etchers.

Exhibited: AIC NAD; PAFA; LACMA; CPLH; Springville (Utah) High School, 1928; GGIE, 1939; Paris Salon. Awards: Cahn prize, AIC, 1918, Shaffer prize, 1926, Carpenter prize, Chicago Society for Sanity in Art, 1938.

Works held: Art Institute of Chicago; Pennsylvania Academy of Fine Arts; Municipal Gallery, Chicago; Mills College, Oakland; San Diego Museum.

Murals: I Magnin Co. of Los Angeles; Woodrow Wilson High School in Oxnard, CA; Noyes Hall at the Univ. of Chicago; Kellogg Factory, Battle Creek, MI

Artist Profile Page: Botke, Jessie Arms / Categories: Landscape

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Landscape

Gayle Blair Tate (1944-) Contemporary, American

Medium: Oil on board
Image Size: 9” x 12”
Frame Size: 15” x 18”
Signature: Signed verso
Price: $2500

Biography/Statement

Gayle Blair Tate is a native of Midwest America, born in Abilene, Texas and raised as a world traveler, being the son of a career army officer.  He studied engineering at the University of Wyoming from 1962 to 1964, then graduated from Florida State University in 1967.  He then served in the United States Air Force for five years as a commissioned officer, being honorably discharged in 1972 with the rank of Captain. Desiring to go into studio production, he pursued extensive private studies at the Loch Haven Art Center in Orlando and with private ateliers in Orlando, Tampa, Asheville, North Carolina and Laramie, Wyoming.

Artist Profile Page: Tate, Gayle Blair / Categories: Landscape

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Barbizon School, Landscape, Tonalism

Dennis Sheehan (1950-) Contemporary, American

Medium: Oil on Canvas
Image Size: 25” x 36”
Signature: Signed lower left
Price: $4500

Biography/Statement

Dennis Sheehan, born in Boston in 1950, is a member of the Guild of Boston Artists. His work is in major public and private collections., including the White House. Sheehan paints in the Barbizon mode with remarkable authority and faithful adherence to his 19th century precursors. In the tradition of the Tonalist painters, Sheehan creates landscapes of mood, affected by nature’s changing seasons.

“Today, in a cultural firmament that has been defined as Postmodern, a new generation of American painters is returning to the old landscape seeking a renewed vision.  The cultural strategies that they employ are as diverse as any from the past; in most cases, these painters consciously strive to enter into a dialogue with the history of the White Mountains art.  Their work, grounded in a sophisticated appreciation of what has come before, is in many cases deliberately discursive with a tradition that has been all but erased twice by historical and cultural forces.” 

The contemporary work of Dennis Sheehan, for example, affords a great nineteenth-century-predecessor George Inness.  Like Inness, whose influence is consciously acknowledged, Sheehan employs the dark palette and thickly pigmented surfaces of the French Barbizon School*. Maintaining a muted tonalist chromatic scheme, Sheehan, like Inness before him, has temerity to eschew picturesque scenery-his Conway Meadows avoids any reference to the traditional climax view of Mount Washington—in the interest of evoking atmospherics* and the appearance of the natural world as it is observed.

Optical truth combined with poetic resonance—the search for some ineffable quality of nature beyond words -constitutes the probity of his art. Yet, also like Inness, Sheehan’s paintings are produced in the studio. His work is the product of the conscious distillation of prior imagery ranging from the American Barbizon to the abstractions of Franz Kline. For all of the references to history—and there are multiple—there is no mistaking the artist’s debt to the more recent past. Without the legacy of action painting, Sheehan’s art would be less forceful and evocative than it is.”

Source: Guild of Boston Artists

 “My goal is to have the painting emanate light, rather than be just a surface that records the reflections of light. This is why the shadow areas are important, for it is from them that this emanation proceeds. The light areas are focal points of this effort, but the power comes from the shadows.” – Dennis Sheehan

Artist Profile Page: Sheehan, Dennis / Categories: Barbizon School, Landscape, Tonalism

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Landscape

Christopher Shearer (1846-1926) American

Medium: Oil on Canvas
Image Size: 30” x 50”
Frame Size: 43” x 63”
Signature: Signed and dated 1895 lower left
Price: $12500

Biography/Statement

Landscape artist, Christopher Shearer was born in Reading, Pennsylvania in 1846. As a child, Shearer spent time in the studios of artists F. D. Devlan and J. Heyl, and in 1864, he produced his first painting. He became a student, of both Devlan and Raser, and his father helped him by building him a studio in the backyard of his Shearertown farm. At the age of 21, Shearer opened a studio in Reading and was very successful in selling his works.

He later traveled to Europe, and studied in Dusseldorf and Munich. In 1878, on a return trip to Germany, he was awarded a Gold Medal by the Dusseldorf School of Art. Shearer exhibited his works at the Pennsylvania Academy of the Fine Arts, and the art exhibition of the Centennial. He also had many of his works hanging in the Reading Museum. His paintings are part of several collections, including ones in Canada, Australia, Germany, and America. Shearer was a teacher, as well as being an artist. He also enjoyed collecting butterflies, moths and bugs, and he kept detailed records and drawings of these insects. The artist died in 1926.

Artist Profile Page: Shearer, Christopher / Categories: Landscape

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Landscape

Julian Rix (1850-1903) American

The Woods Below The Mountains

Medium: Oil on Canvas
Image Size: 26” x 32”
Frame Size: 36” x 42”
Signature: Original name plaque on frame, titled "The Woods Below The Mountains"
Price: $9500

Biography/Statement

Known for poetic landscapes, often sunset, illuminated by atmospheric light, Julian Walbridge Rix was early in his career an active painter in California and then on the East Coast. He was born in Peacham, Vermont on December 30, 1850 and moved with his family to San Francisco in 1853. He returned to Peacham four years later to live with his grandmother and graduating from Peacham Academy in 1868. He returned to San Francisco where he was apprenticed to a trading firm and later worked in a paint store painting signs and doing decorative work.

Primarily self-taught, he was briefly a pupil of Virgil Williams at the School of Design. He became close friends with Amédée Joullin and Jules Tavernier, and when the latter established an art colony in Monterey in 1876, Rix was one of the “Bohemians” who followed him there. His studio in Monterey was in the French Hotel, but in 1879 he returned to San Francisco and shared a studio with Tavernier at 729 Montgomery Street. The art market in San Francisco during this period was not a healthy one which prompted Rix to move to Paterson, New Jersey in 1880 and subsequently establish a studio in New York City. This milieu was what he seemed to need to find artistic success. His work was exhibited at the National Academy of Design during the 1880s. He studied art briefly in Europe during 1889 and upon his return, he found that his watercolor and oil paintings were in great demand in the East.

He maintained an active interest and participation in the San Francisco art scene and in 1883 sent back 200 paintings for a successful solo show. In 1888 his illustrations appeared in “Picturesque California.” Rix returned to California for several months in 1901 and painted the valleys and mountains near Monterey and Santa Barbara. A handsome man with a New England accent and blond sideburns, he never married and was called the Adonis of the profession. Following a kidney operation, Rix died in New York City on November 24, 1903 and was buried in the cemetery plot of a patron-friend in Paterson, New Jersey.

Artist Profile Page: Rix, Julian / Categories: Landscape

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