Carl Wuermer (1900-1981) American
Painted near Woodstock, New York. Dated 1928

Medium: Oil on Canvas
Image Size: 40” x 40”
Signature: Signed lower right, dated 1928 verso
Price: SOLD
Biography/Statement
Known for serene, realistic landscapes, he was a widely exhibited painter who won numerous awards including the J. Francis Murphy Memorial Prize from the National Academy of Design in 1928. Many of his paintings convey a sense of panorama and lead the eye into deep vistas. For much of his career Wuermer painted near Woodstock, NY.
Wuermer was born in Munich, Germany, and in 1915, emigrated to Chicago where from 1920 to 1924, he studied at the Art Institute with Wellington Reynolds. He then went to New York City for study at the Art Students League. In 1929, he was accepted for artist membership by the Grand Central Art Galleries in New York City. His technique was similar to that of the Pointillists although the final effect was much more exact and realistic. He slowly built up the paint on his canvas by using dots of color.
Artist Profile Page: Wuermer, Carl / Categories: Landscape
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Jessie Arms Botke (1883-1971) American

Medium: Oil on Board
Image Size: 17” x 17”
Signature: Signed and Dated 1917 lower right
Price: SOLD
Biography/Statement
Painter, illustrator, printmaker and muralist, Jesse Arms was born in Chicago, IL on May 27, 1883. She began her studies at the Art Institute of Chicago, and continued with J. C. Johansen and Charles Woodbury. In 1911 she obtained employment with Herter Looms in NYC and assisted Herter with the mural in the St Francis Hotel in San Francisco. Upon returning to Chicago in 1915, she married Cornelis Botke.
The Botkes moved to Carmel CA in 1919. After an extended trip to Europe, in 1927 they settled on a ranch in Santa Paula, CA where she remained until her death on Oct. 2, 1971. She made a career of bold, decorative paintings of birds both in oil and watercolor, and often used gold leaf in her paintings.
From about 1917 her work won many awards both in Chicago and Southern California. Member: Calif. Art Club; Calif. WC Society; Nat’l Ass’n of Women Artists; Carmen AA; Chicago Society of Etchers.
Exhibited: AIC NAD; PAFA; LACMA; CPLH; Springville (Utah) High School, 1928; GGIE, 1939; Paris Salon. Awards: Cahn prize, AIC, 1918, Shaffer prize, 1926, Carpenter prize, Chicago Society for Sanity in Art, 1938.
Works held: Art Institute of Chicago; Pennsylvania Academy of Fine Arts; Municipal Gallery, Chicago; Mills College, Oakland; San Diego Museum.
Murals: I Magnin Co. of Los Angeles; Woodrow Wilson High School in Oxnard, CA; Noyes Hall at the Univ. of Chicago; Kellogg Factory, Battle Creek, MI
Artist Profile Page: Botke, Jessie Arms / Categories: Landscape
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Gayle Blair Tate (1944-) Contemporary, American

Medium: Oil on board
Image Size: 9” x 12”
Frame Size: 15” x 18”
Signature: Signed verso
Price: $2500
Biography/Statement
Gayle Blair Tate is a native of Midwest America, born in Abilene, Texas and raised as a world traveler, being the son of a career army officer. He studied engineering at the University of Wyoming from 1962 to 1964, then graduated from Florida State University in 1967. He then served in the United States Air Force for five years as a commissioned officer, being honorably discharged in 1972 with the rank of Captain. Desiring to go into studio production, he pursued extensive private studies at the Loch Haven Art Center in Orlando and with private ateliers in Orlando, Tampa, Asheville, North Carolina and Laramie, Wyoming.
Artist Profile Page: Tate, Gayle Blair / Categories: Landscape
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Dennis Sheehan (1950-) Contemporary, American

Medium: Oil on Canvas
Image Size: 25” x 36”
Signature: Signed lower left
Price: $4500
Biography/Statement
Dennis Sheehan, born in Boston in 1950, is a member of the Guild of Boston Artists. His work is in major public and private collections., including the White House. Sheehan paints in the Barbizon mode with remarkable authority and faithful adherence to his 19th century precursors. In the tradition of the Tonalist painters, Sheehan creates landscapes of mood, affected by nature’s changing seasons.
“Today, in a cultural firmament that has been defined as Postmodern, a new generation of American painters is returning to the old landscape seeking a renewed vision. The cultural strategies that they employ are as diverse as any from the past; in most cases, these painters consciously strive to enter into a dialogue with the history of the White Mountains art. Their work, grounded in a sophisticated appreciation of what has come before, is in many cases deliberately discursive with a tradition that has been all but erased twice by historical and cultural forces.”
The contemporary work of Dennis Sheehan, for example, affords a great nineteenth-century-predecessor George Inness. Like Inness, whose influence is consciously acknowledged, Sheehan employs the dark palette and thickly pigmented surfaces of the French Barbizon School*. Maintaining a muted tonalist chromatic scheme, Sheehan, like Inness before him, has temerity to eschew picturesque scenery-his Conway Meadows avoids any reference to the traditional climax view of Mount Washington—in the interest of evoking atmospherics* and the appearance of the natural world as it is observed.
Optical truth combined with poetic resonance—the search for some ineffable quality of nature beyond words -constitutes the probity of his art. Yet, also like Inness, Sheehan’s paintings are produced in the studio. His work is the product of the conscious distillation of prior imagery ranging from the American Barbizon to the abstractions of Franz Kline. For all of the references to history—and there are multiple—there is no mistaking the artist’s debt to the more recent past. Without the legacy of action painting, Sheehan’s art would be less forceful and evocative than it is.”
Source: Guild of Boston Artists
“My goal is to have the painting emanate light, rather than be just a surface that records the reflections of light. This is why the shadow areas are important, for it is from them that this emanation proceeds. The light areas are focal points of this effort, but the power comes from the shadows.” – Dennis Sheehan
Artist Profile Page: Sheehan, Dennis / Categories: Barbizon School, Landscape, Tonalism
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Christopher Shearer (1846-1926) American

Medium: Oil on Canvas
Image Size: 30” x 50”
Frame Size: 43” x 63”
Signature: Signed and dated 1895 lower left
Price: $12500
Biography/Statement
Landscape artist, Christopher Shearer was born in Reading, Pennsylvania in 1846. As a child, Shearer spent time in the studios of artists F. D. Devlan and J. Heyl, and in 1864, he produced his first painting. He became a student, of both Devlan and Raser, and his father helped him by building him a studio in the backyard of his Shearertown farm. At the age of 21, Shearer opened a studio in Reading and was very successful in selling his works.
He later traveled to Europe, and studied in Dusseldorf and Munich. In 1878, on a return trip to Germany, he was awarded a Gold Medal by the Dusseldorf School of Art. Shearer exhibited his works at the Pennsylvania Academy of the Fine Arts, and the art exhibition of the Centennial. He also had many of his works hanging in the Reading Museum. His paintings are part of several collections, including ones in Canada, Australia, Germany, and America. Shearer was a teacher, as well as being an artist. He also enjoyed collecting butterflies, moths and bugs, and he kept detailed records and drawings of these insects. The artist died in 1926.
Artist Profile Page: Shearer, Christopher / Categories: Landscape
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Laura Margaret Graham (1862-1938) American

Medium: Oil on Canvas
Image Size: 40” x 30”
Frame Size: 49” x 39”
Signature: Signed lower right
Price: $7500
Biography/Statement
Born in California in 1862. Graham was a resident of Elk Grove, California in 1880-85. A spinster, she died in Sacramento on June 27, 1938. Exhibited: California State Fair, 1884-85.
Artist Profile Page: Graham, Laura Margaret / Categories: Landscape, Regionalist (Urban)
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