Edward R. Kingsbury (1855-1940) American
Medium: Oil on Canvas
Image Size: 30” x 36”
Frame Size: 38” x 44”
Signature: Signed Lower Right
Price: $9500
Biography/Statement
Born in Boston, MA in 1855. Kingsbury studied at the Massachusetts Normal Art School, Boston Museum School, and Académie Julian in Paris. A resident of Carmel, CA in the 1920s, his last years were spent in Ogunquit, ME and Cambridge, MA, He died in the latter on May 1, 1940.
Member: Salmagundi Club; Ogunquit AA. Exhibitions: Springville (UT) High School, 1927. In: Charlestown (MA) High School (mural). Carmel At Work and Play, p. 58; WWAA 1936-41; NY Times, 5-2-1940 (obit).
Artist Profile Page: Kingsbury, Edward R. / Categories: Landscape, Marine / Seascape
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Erik Koeppel (1980-) Contemporary, American
Medium: Oil on Board
Image Size: 10” x 8”
Frame Size: 14” x 12”
Signature: Signed Lower Right
Price: $3200
Biography/Statement
Erik Koeppel (b.1980) was born in Oregon, and spent his childhood moving with his family through many of the most beautiful landscapes of North America from the Rocky Mountains, to Southern California, to the Appalachian Range. At the age of ten, he settled in the White Mountains of New Hampshire, where he drew obsessively from nature, and began to develop a love for the expressive potentials of traditional representation. Erik received his formal training from the Rhode Island School of Design followed by the New York Academy of Art, and an annual apprenticeship in Wiscasset, Maine with his professor and friend, Seaver Leslie. After copying extensively from the Italian Masters, he developed a body of work that has been exhibited and collected internationally, and represented across the United States. Koeppel’s mastery of traditional techniques has led him to become one of very few young contemporary artists whose work is regularly exhibited with historic masters of the 19th and early 20th Centuries. He has hung beside Thomas Cole, Winslow Homer, Edgar Degas, John Frederick Kensett, and George Inness, and has had the distinguished honor of entering numerous collections including artists of this caliber. American Artist, PleinAir Magazine, The American Art Review, and other respected publications have covered his progress.
EDUCATION:
2004 New York Academy of Art. Master of Fine Arts in Painting
2002 Rhode Island School of Design. Bachelor of Fine Arts
1999-2004 Painter/Professor Seaver Leslie of RISD, Apprenticeship
EXHIBITIONS:
~ “Reflecting the Real” Rehs Galleries, New York, NY
~ “Personal Favorites” Musem of White Mountain Art, Jackson, NH
~ “Erik Koeppel and Lauren Sansaricq” at The Art Place, Wolfeboro, NH
~ “Plein Air Rockies 2015” Cultural Arts Council of Estes Park, CO
~ “Secluded Glens and Noble Landscapes: Traditional White Mountain Art
~ Recaptured.” The Museums of the Bethel Historical Society, Bethel, ME
~ “History Meets the Arts” Lorde Nelson Gallery, Gettysburg, PA
~ “Treasured Places, Protected Spaces” Cheshire Historical, Keene, NH
~ “Members Exhibit” Guild of Boston Artists, Boston, MA
~ Palm Beach Jewelry, Art, and Antique Show McColl Art, Palm Beach, FL
~ Naples Art and Antiques Show with Rehs Galleries, Naples, FL
~ L.A. Art Show with Rehs Galleries and McColl Fine Art, Los Angeles, CA
~ Dallas International Art and Antuques Fair” with Rehs Galleries, Dallas, TX
~12th Annual White Mountain Art Show and Sale, Jackson Museum
~ Baltimore Summer Antiques Show, with Rehs Galleries, Baltimore, MD
~ “The Glory of the White Mountains: ErikKoeppel and Lauren Sansaricq
~ Newport Antiques Show, with Rehs Galleries, Newport, RI
~ Benefit Auction, The Thomas Cole House National Historic Site, Catskill, NY
~ Armory Spring Show, Park Avenue Armory, New York, NY
~ Avenue Show, with Rehs Galleries, New York, NY
~ Affordable Art Fair, with Rehs Galleries, New York, NY
~ Palm Beach Art and Antique Show McColl Fine Art Palm Beach, FL
~ Naples Art and Antiques Show with Rehs Galleries, Naples, FL
~ Merchandise Mart International Antiques Fair with Rehs Galleries, Chicago
~ L.A. Art Show with Rehs Galleries and McColl Fine Art, Los Angeles, CA
~ Dallas International Art and Antuques Fair” with Rehs Galleries, Dallas, TX
~ “Paysages, Erik Koeppel and Lauren Sansaricq,” Liaucous, France
~ “The New Hudson River School” Mark Gruber Gallery, New Paltz, NY
~ “Across this Great Land” Balcony House Gallery, Dallas TX
~ 11th Annual White Mountain Art Show and Sale, Jackson Museum, NH
~ Affordable Art Fair, with Rehs Galleries, New York, NY
~ Aspen Fine Art Fair, with McColl Fine Art, Aspen, CO
~ Baltimore Summer Antiques Show, with Rehs Galleries, Baltimore, MD
~ Newport Antiques Show, with Rehs Galleries, Newport, RI
~ Benefit Auction, The Thomas Cole House National Historic Site, Catskill, NY
~ Armory Spring Show, Park Avenue Armory, New York, NY
~ “Marine Art” The New Hampshire Antiques Coop Milford, NH
~ Merchandise Mart International Antiques Fair with Rehs Galleries, Chicago
~ L.A. Art Show with Rehs Galleries Los Angeles, CA
~ Palm Beach Jewelry, Art, and Antique Show McColl Fine Art, Palm Beach
~ Naples Art, Antique, and Jewelry Show with Rehs Galleries, Naples, FL
~ Theta Charity Antiques Show with McColl Fine Art Houston, TX
~ Dallas Art, Antique, and Jewelry Show with Rehs Galleries Dallas, TX
~ “White Mountain Art Show and Sale” Museum of White Mountain Art
~ 2nd Annual Plein Air Competition Exhibition, Sagamore Hill, NY
~ “Classical Contemporary” at McColl Fine Art, Charlotte, NC
~ “International Antiques Fair” with McColl Fine Art, Chicago, IL
~ “Landscapes” Wally Findlay Gallery, NY
~ “Hudson River School and White Mountain Art,” Milford, NH
~ “Hudson Valley Contemporary” at Boscobel House Museum, Garrison, NY
~ “Winter Wonderland” at Wally Findlay Gallery, New York, NY
~ “Summer Exhibition” The Banks Gallery Portsmouth, NH
~ “White Mountain Art” Jackson Historical Society, Jackson, NH
~ “ARC Salon 2011” Landscape Finalist
~ “Erik Koeppel: The American Landscape” at Wally Findlay Gallery
~ “White Mountain Art” Jackson Historical Society in Jackson, NH
~ “Winter Scenes” at Wally Findlay Gallery in New York, NY
~ “ARC Salon 2010” Landscape finalist
~ “Take Home a Nude Auction” at Sotheby’s New York, NY
~ “Institute of Classical Architecture and a Classical Benefit Auction” NYC
~ “Works on Paper” at Wally Findlay Gallery in New York, NY
~ “Fete de Swifty” Mayor Fund Benefit in New York, NY
~ “The Hampton Designer Showcase” with Bradley Thiergartner Interiors
~ “Art for the Young Collector” at Wally Findlay Gallery in Palm Beach, FL
~ “Summer Selections” at Wally Findlay Gallery in Palm Beach, FL
~ “ARC Salon 2009” Landscape finalist
~ “Erik Koeppel Artist Talk” at Wally Findlay Gallery in New York, NY
~ “Elegant Realism” at Wally Findlay Gallery in New York, NY
~ “Small Wonders” at Wally Findlay Gallery in New York, NY
~ “Contemporary Works” at Wally Findlay Gallery in New York, NY
~ “Art Hamptons” with Wally Findlay Gallery in Bridgehampton, NY
~ “Summer Salon” at the NYAA in New York, NY
~ “Take Home a Nude Auction” at Phillips de Pury & Company in New York
~ “Singular Creation” at Wally Findlay Gallery in New York, NY
~ “Color Sense” at Wally Findlay Gallery in Palm Beach, FL
~ “Art for the Young Collector” at Wally Findlay Gallery in New York, NY
~ “30th Annual Non-members Exhibition” at the Salmagundi Club, NYC
~ “Summer Landscapes” Group Show at the Jameson Gallery in Portland, ME
~ Paul Toner’s Showcase, in New York, NY
~ “Summer Exhibition” at Jameson Gallery in Portland, ME December
~ “Invitational Landscape Exhibition” at Jameson Gallery in Portland, ME
~ “Open Painting Exhibition” at the Providence Art Club in Providence, RI
~ “Master Thesis Exhibition” at NYAA in New York, NY
~ “What’s your point?” Metal-point Drawing Exhibition at NYAA in New York
~ “Hatching, the Art of Mark Making” at NYAA in New York, NY
~ “New England Exhibition” at the Cape Cod Art Association, Barnstable, MA
~ “RISD Senior Class Invitational Exhibition” in Providence, RI
~ “Five Person Show” at the ISB Gallery in Providence, RI.
~ “RISD Departmental Senior Show” at the Woods-Gerry Gallery, Providence
HONORS AND AWARDS:
2015 Plein Air Rockies 2015: 1st Place Quick Draw, Mayor of Estes Park
Award, People’s Choice Award, and Artist’s Choice Award. Estes Park, CO
Alden Bryan Memorial Award for Landscape, The Guild of Boston Artists
Accepted to the Guild of Boston Artists, Boston, MA
2014 American Fine Arts Award of Excellence, Art Renewal Center Salon
2013 2nd Prize Art Renewal Center Salon, Landscape, Port Reading, NJ
2012 Art Renewal Center Living Master, Port Reading, NJ
Judge, Teaching Studio of Art 2nd Annual Plein Air Competition, Sagamore Hill, NY
Hudson River Fellowship, Senior Fellow, Hunter, NY 2010-12
Art Renewal Center Salon Landscape finalist 2009, 2010, and 2011
Hudson River Fellowship: one month residency in Hunter, NY 2009
REPRESENTATION:
Rehs Galleries, New York, NY 2012-16
The Guild of Boston Artists, Boston MA 2015-16
Hildt Galleries, Chicago, IL 2013-16
McColl Fine Art, Charlotte, NC 2012-16
New Hampshire Antiques Co-op, Milford, NH 2012-16
Wally Findlay Gallery New York, Palm Beach, L.A. 2007-12
The Banks Gallery, Portsmouth, NH 2010-12
Jameson Gallery in Portland, ME 2006-07
STATEMENT:
In the act of painting, I have sought to discover that highest knowledge of Beauty, poetic and philosophical, that has been the common thread between all of the Great Masters of Art. I have spent hours staring at the finest masterpieces in museums worldwide in an effort to decipher that meditative effect that distinguishes greatness from proficiency, and have made the creation of that sentiment my central goal as an artist. Following this path has led me to study deeply the sciences of philosophy, design, linear perspective, anatomy, color, optics, architecture, botany, light and atmosphere with respect to their purposes in art, and I have built a foundation of consistent formal principles that work in harmony to illuminate meaning in painting. As my subject, I have chosen the universal human condition in this world, and have sought wherever possible to discard the sociopolitical fashions of contemporary culture in favor of those enduring sentiments that we all encounter in life. It is my belief that to experience the Beauty of our existence here in this magnificent landscape is the only way to happiness. My intention as an artist is to share that Beauty.
Artist Profile Page: Koeppel, Erik / Categories: Landscape, Moonlight
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James Wethered Bell (N/A) American
Medium: Oil on Canvas
Image Size: 30” x 50”
Signature: Signed and dated Lower Left 1882
Price: $12000
Biography/Statement
Artist Profile Page: Bell, James Wethered / Categories: Hudson River School, Landscape
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Dennis Sheehan (1950-) Contemporary, American
Medium: Oil on Canvas
Image Size: 20” x 24”
Frame Size: 28” x 32”
Signature: Signed Lower Right
Price: $3800
Biography/Statement
Dennis Sheehan, born in Boston in 1950, is a member of the Guild of Boston Artists. His work is in major public and private collections., including the White House. Sheehan paints in the Barbizon mode with remarkable authority and faithful adherence to his 19th century precursors. In the tradition of the Tonalist painters, Sheehan creates landscapes of mood, affected by nature’s changing seasons.
“Today, in a cultural firmament that has been defined as Postmodern, a new generation of American painters is returning to the old landscape seeking a renewed vision. The cultural strategies that they employ are as diverse as any from the past; in most cases, these painters consciously strive to enter into a dialogue with the history of the White Mountains art. Their work, grounded in a sophisticated appreciation of what has come before, is in many cases deliberately discursive with a tradition that has been all but erased twice by historical and cultural forces.”
The contemporary work of Dennis Sheehan, for example, affords a great nineteenth-century-predecessor George Inness. Like Inness, whose influence is consciously acknowledged, Sheehan employs the dark palette and thickly pigmented surfaces of the French Barbizon School*. Maintaining a muted tonalist chromatic scheme, Sheehan, like Inness before him, has temerity to eschew picturesque scenery-his Conway Meadows avoids any reference to the traditional climax view of Mount Washington—in the interest of evoking atmospherics* and the appearance of the natural world as it is observed.
Optical truth combined with poetic resonance—the search for some ineffable quality of nature beyond words -constitutes the probity of his art. Yet, also like Inness, Sheehan’s paintings are produced in the studio. His work is the product of the conscious distillation of prior imagery ranging from the American Barbizon to the abstractions of Franz Kline. For all of the references to history—and there are multiple—there is no mistaking the artist’s debt to the more recent past. Without the legacy of action painting, Sheehan’s art would be less forceful and evocative than it is.”
Source: Guild of Boston Artists
“My goal is to have the painting emanate light, rather than be just a surface that records the reflections of light. This is why the shadow areas are important, for it is from them that this emanation proceeds. The light areas are focal points of this effort, but the power comes from the shadows.” – Dennis Sheehan
Artist Profile Page: Sheehan, Dennis / Categories: Barbizon School, Landscape, Tonalism
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Dennis Sheehan (1950-) Contemporary, American
Medium: Oil on Canvas
Image Size: 8” x 18”
Frame Size: 18” x 28”
Signature: Signed Lower Left
Price: $3200
Biography/Statement
Dennis Sheehan, born in Boston in 1950, is a member of the Guild of Boston Artists. His work is in major public and private collections., including the White House. Sheehan paints in the Barbizon mode with remarkable authority and faithful adherence to his 19th century precursors. In the tradition of the Tonalist painters, Sheehan creates landscapes of mood, affected by nature’s changing seasons.
“Today, in a cultural firmament that has been defined as Postmodern, a new generation of American painters is returning to the old landscape seeking a renewed vision. The cultural strategies that they employ are as diverse as any from the past; in most cases, these painters consciously strive to enter into a dialogue with the history of the White Mountains art. Their work, grounded in a sophisticated appreciation of what has come before, is in many cases deliberately discursive with a tradition that has been all but erased twice by historical and cultural forces.”
The contemporary work of Dennis Sheehan, for example, affords a great nineteenth-century-predecessor George Inness. Like Inness, whose influence is consciously acknowledged, Sheehan employs the dark palette and thickly pigmented surfaces of the French Barbizon School*. Maintaining a muted tonalist chromatic scheme, Sheehan, like Inness before him, has temerity to eschew picturesque scenery-his Conway Meadows avoids any reference to the traditional climax view of Mount Washington—in the interest of evoking atmospherics* and the appearance of the natural world as it is observed.
Optical truth combined with poetic resonance—the search for some ineffable quality of nature beyond words -constitutes the probity of his art. Yet, also like Inness, Sheehan’s paintings are produced in the studio. His work is the product of the conscious distillation of prior imagery ranging from the American Barbizon to the abstractions of Franz Kline. For all of the references to history—and there are multiple—there is no mistaking the artist’s debt to the more recent past. Without the legacy of action painting, Sheehan’s art would be less forceful and evocative than it is.”
Source: Guild of Boston Artists
“My goal is to have the painting emanate light, rather than be just a surface that records the reflections of light. This is why the shadow areas are important, for it is from them that this emanation proceeds. The light areas are focal points of this effort, but the power comes from the shadows.” – Dennis Sheehan
Artist Profile Page: Sheehan, Dennis / Categories: Barbizon School, Landscape, Tonalism
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Adolf Schreyer (1828-1899) European
Medium: Oil on Canvas
Image Size: 18” x 32”
Frame Size: 26” x 40”
Signature: Signed lower right
Price: $13500
Biography/Statement
Adolf Schreyer was born at Frankfurt-am-Main. He first studied at the Städel Institute in his native town, and then in Stuttgart and Munich.
Schreyer first accompanied Prince Thurn and Taxis through Hungary, Wallachia, Russia and Turkey. Then, in 1854, he followed the Austrian army across the Wallachian frontier. In 1856 he went to Egypt and Syria, and in 1861 to Algiers. In 1862 Schreyer settled in Paris but he returned to Germany in 1870 and settled in Cronberg, near Frankfurt, where he died.
Schreyer was especially esteemed as a painter of horses, peasant life in Wallachia and Moldavia and of battles. His work is particularly remarkable for its excellent equine draughtsmanship and for the artist’s power of observation and forceful statement. Schreyer was highly appreciated by French and American collectors.
Schreyer is represented in the following collections: the Raven Gallery, Berlin; the Metropolitan Museum, New York; Kunsthalle, Hamburg.
Artist Profile Page: Schreyer, Adolf / Categories: Landscape
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Bruce Crane (1857-1937) American
Medium: Oil on Canvas
Image Size: 22” x 30”
Frame Size: 32” x 40”
Signature: Signed lower right
Price: SOLD
Biography/Statement
A popular landscape painter, especially of golden toned landscapes that conveyed fall and winter seasons, Bruce Crane, also a teacher, was strongly influenced by the French Barbizon school of painting and had a studio for many years in Old Lyme, Connecticut. He also painted on Long Island, the Catskills, and the Adirondacks. In 1882, he was in France at the colony at Grez-sur-Loring with Birge Harrison, Kenyon Cox, and Alexander Wyant, but he maintained a studio in New York City until he moved to Bronxville in 1914.
He took early art lessons from Alexander Wyant in New York City and then studied in Europe. He became a member of the National Academy of Design, the American Water Color Society, the Salmagundi Club, the Society of American Artists, and the Grand Central Art Galleries. One of his great admirers was J. Francis Murphy with whom his work has often been compared.
Source:
David Michael Zellman, Three Hundred Years of American Art
Peter Falk, Who Was Who in American Art
Artist Profile Page: Crane, Bruce / Categories: Barbizon School, Landscape
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Julian Rix (1850-1903) American
Medium: Oil on Canvas
Image Size: 21” x 28”
Frame Size: 33” x 40”
Signature: Signed lower left with a dedication to a friend
Price: SOLD
Biography/Statement
Known for poetic landscapes, often sunset, illuminated by atmospheric light, Julian Walbridge Rix was early in his career an active painter in California and then on the East Coast. He was born in Peacham, Vermont on December 30, 1850 and moved with his family to San Francisco in 1853. He returned to Peacham four years later to live with his grandmother and graduating from Peacham Academy in 1868. He returned to San Francisco where he was apprenticed to a trading firm and later worked in a paint store painting signs and doing decorative work.
Primarily self-taught, he was briefly a pupil of Virgil Williams at the School of Design. He became close friends with Amédée Joullin and Jules Tavernier, and when the latter established an art colony in Monterey in 1876, Rix was one of the “Bohemians” who followed him there. His studio in Monterey was in the French Hotel, but in 1879 he returned to San Francisco and shared a studio with Tavernier at 729 Montgomery Street. The art market in San Francisco during this period was not a healthy one which prompted Rix to move to Paterson, New Jersey in 1880 and subsequently establish a studio in New York City. This milieu was what he seemed to need to find artistic success. His work was exhibited at the National Academy of Design during the 1880s. He studied art briefly in Europe during 1889 and upon his return, he found that his watercolor and oil paintings were in great demand in the East.
He maintained an active interest and participation in the San Francisco art scene and in 1883 sent back 200 paintings for a successful solo show. In 1888 his illustrations appeared in “Picturesque California.” Rix returned to California for several months in 1901 and painted the valleys and mountains near Monterey and Santa Barbara. A handsome man with a New England accent and blond sideburns, he never married and was called the Adonis of the profession. Following a kidney operation, Rix died in New York City on November 24, 1903 and was buried in the cemetery plot of a patron-friend in Paterson, New Jersey.
Artist Profile Page: Rix, Julian / Categories: Landscape
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Arthur Parton (1832-1914) American
Medium: Oil on Canvas
Image Size: 26” x 22”
Frame Size: 40” x 36”
Signature: Signed lower right
Price: $9500
Biography/Statement
Arthur Parton (American,1842-1914.) Oil on canvas, 26 x 36. Outside frame size- 38 x 48. Signed lower left, original Barbizon frame w/plaque, exhibited at the National Academy of Design in 1895. $12,500
Known as a Hudson River School painter, especially of mountain landscapes, Arthur Parton was well established in the New York art world where he exhibited at the National Academy of Design for more than half a century. He was born in Hudson, New York to a religious family supported by a cabinetmaker father. He enrolled in the Pennsylvania Academy of Fine Arts as a student of William Trost Richards, who remained a strong influence, and in 1862, his first exhibitions were in Philadelphia.
In 1864, he moved to New York City where he exhibited regularly with the National Academy of Design excepting 1869 when he spent a year in Europe and was influenced by the Barbizon style of painting.
In 1874, he and his wife moved into the Tenth Street Building in New York City, and he kept his studio there until 1893. In 1876, he gained much national notoriety at the Philadelphia Centennial Exposition for his paintings ‘November, Loch Lomond and Solitude.’
He spent summers painting in the Adirondacks and Catskill Mountains and also in England and Scotland as indicated by his entry at the Philadelphia Exposition.
During his career, he explored several styles including Tonalism and Impressionism but seemed to remain most closely influenced by the Hudson River style including Luminism.
Sources include:
Michael David Zellman, 300 Years of American Art
Peter Falk, 300 Years of American Art
Artist Profile Page: Parton, Arthur / Categories: Hudson River School, Landscape
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Dennis Sheehan (1950-) Contemporary, American
Medium: Oil on Canvas
Image Size: 30” x 30”
Frame Size: 35” x 35”
Signature: Signed lower right
Price: SOLD
Biography/Statement
Dennis Sheehan, born in Boston in 1950, is a member of the Guild of Boston Artists. His work is in major public and private collections., including the White House. Sheehan paints in the Barbizon mode with remarkable authority and faithful adherence to his 19th century precursors. In the tradition of the Tonalist painters, Sheehan creates landscapes of mood, affected by nature’s changing seasons.
“Today, in a cultural firmament that has been defined as Postmodern, a new generation of American painters is returning to the old landscape seeking a renewed vision. The cultural strategies that they employ are as diverse as any from the past; in most cases, these painters consciously strive to enter into a dialogue with the history of the White Mountains art. Their work, grounded in a sophisticated appreciation of what has come before, is in many cases deliberately discursive with a tradition that has been all but erased twice by historical and cultural forces.”
The contemporary work of Dennis Sheehan, for example, affords a great nineteenth-century-predecessor George Inness. Like Inness, whose influence is consciously acknowledged, Sheehan employs the dark palette and thickly pigmented surfaces of the French Barbizon School*. Maintaining a muted tonalist chromatic scheme, Sheehan, like Inness before him, has temerity to eschew picturesque scenery-his Conway Meadows avoids any reference to the traditional climax view of Mount Washington—in the interest of evoking atmospherics* and the appearance of the natural world as it is observed.
Optical truth combined with poetic resonance—the search for some ineffable quality of nature beyond words -constitutes the probity of his art. Yet, also like Inness, Sheehan’s paintings are produced in the studio. His work is the product of the conscious distillation of prior imagery ranging from the American Barbizon to the abstractions of Franz Kline. For all of the references to history—and there are multiple—there is no mistaking the artist’s debt to the more recent past. Without the legacy of action painting, Sheehan’s art would be less forceful and evocative than it is.”
Source: Guild of Boston Artists
“My goal is to have the painting emanate light, rather than be just a surface that records the reflections of light. This is why the shadow areas are important, for it is from them that this emanation proceeds. The light areas are focal points of this effort, but the power comes from the shadows.” – Dennis Sheehan
Artist Profile Page: Sheehan, Dennis / Categories: Barbizon School, Landscape, Tonalism
Other Available Works by this Artist:
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